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Advocating for Disabled Youth: Melissa Lomax’s work since her participation in our Youth Ability Summit in Syria

February 13th, 2012 by Open Hands Team

The following entry is a guest post by Melissa Lomax, a participant from our Youth Ability Summit. This is part of the “Where Are They Now?” series. Here is what she had to say about her experience in Syria:

Melissa Lomax (fourth in from left) and Youth Ability Summit group (Syria, August 2010)

As a child, I dreamed about helping disabled people, and as an adolescent, I began living out that dream.  I am blind, and my hopes are to work with young, blind adults, to motivate and teach them.  I am an active member of the National Federation of the Blind, meeting blind teens frequently.  I used to assist with tutoring and independence training, but I realized that my efforts solely helped a small population located in New Jersey.  Traveling to Damascus, Syria allotted me a completely different opportunity.  Instead of working with Americans, I was working alongside counterparts varying in disabilities and culture, who in turn taught me a great deal of information.

In fact, the lessons I learned comprise the bulk of my memories.  I recorded several stories shared by my Syrian peers.  These were amazing, fun, and beautifully dressed individuals.  Some of their accounts told of overbearing families, insufficient schooling, and unclear futures.

Spending my entire life in America prevented me from ever imagining that entering high school could be prolonged.  For the deaf population in Syria, this is the case.  With only one deaf high school in Damascus, students have to wait to receive schooling.  For them, college could only live in dreams since sign language interpreters are few.  I found the stories and conversations with blind Syrians the most impactful.  Several girls asked which careers I could pursue with my vision loss; I shared various jobs which astonished them.  That was the reality check I needed.  Before coming to Syria, I often complained about some of the obstacles in my life.  Talking to these girls, however, helped me to realize that my struggles were not that bad.  I have options, resources, and even back-up plans.  They often do not.

For the first few months following my trip, I told anyone who would listen about my plans to one day change the lives of the blind population in Syria.  However, I have refined this goal since then.  The blind in America still have more improvements to fight for and there are more people in need of assistance and encouragement.  Therefore, I devote a large portion of my time to assisting in these efforts.  I am now the president of the Maryland Association of Blind Students and am a board member for the Maryland affiliate of the National Federation of the Blind.  I wish to encourage blind youth to recognize the gifts they could use to help others. That way, we could work collectively to advocate for Americans and encourage others worldwide.

Outside of advocating, I am a student.  I attend the University of Maryland, Baltimore County.  As a junior, I consider this time my mid-college crisis.  I want to do everything it seems, but I need to find the best thing.  My major is English Literature and my minors are Sociology and English Writing.  I am a member of the Golden Key International Honors Society and the National Society of Collegiate Scholars.

Presently, I am conducting undergraduate research in the English Honors Society.  My free time usually becomes filled with community service, my favorite being editing college admissions and scholarship essays for high school seniors.  Graduate school stands undoubtedly in my future, but the precise program still remains unknown.  I will either pursue a Master’s in English or Sociology, or I will study to become an orientation and mobility instructor teaching blind people how to properly use a cane.  Whichever path I choose, I know that it will have everything to do with helping others.

JFK Jr. Harvard Forum, “Egypt: From Tahrir to Today” Co-Sponsored by Open Hands

February 6th, 2012 by Open Hands Team

On Thursday, February 2, the John F. Kennedy Jr. School of Government at Harvard University hosted the forum “Egypt: From Tahrir Square to Today,” which discussed Egypt’s progress from the beginning of the January 25 revolution until today. The Forum was co-sponsored by the Open Hands Initiative, as well as HKS Middle East Initiative, and the Shorenstein Center on the Press.

From Left: Mona ElTahawy, Tarek Masoud, and Charlie Sennott.

Egypt: From Tahrir to Today,” featured Ms. Tina Brown, editor-in-chief of Newsweek and the Daily Beast, as the moderator. Brown posed questions to three panelists, all of whom have been writing about and/or speaking on Egypt’s path to democracy over the last year.

Mona Eltahawy, the first panelist, is a columnist for the Toronto Star, The Jerusalem Report, and Politiken. She is an authority on the Middle East and the role of women in Egypt today. The second panelist, Tarek Masoud, is the assistant professor of Public Policy at Harvard and a Middle East specialist. Finally, the third panelist, Charles Sennott is the Vice President, Executive Editor, and co-founder of the international news website Global Post.

Charles Sennott spoke about his experience watching the collaboration between the young American and Egyptian journalists that were a part of the Open Hands Initiative Reporting Fellowship. These fellows reported together on the revolution from Cairo, producing work that has been showcased in a 25-part Special Report on GlobalPost. Their work, viewed by more than 2 million visitors from across the globe, has kept readers informed about this ongoing and dramatic revolution.

The forum also covered various aspects of the Arab Spring, specifically Egypt’s revolution, including the Port Said riots, the role of social media in the revolution, the elections, and the optimism that all three panelists expressed about Egypt’s future. To quote Mona Eltahawy, who was very passionate in this panel discussion, the elections “were a mess, but they were our (the Egyptian people) mess and the next time around they will be a better mess.”

Thanks again to the Institute of Politics JFK Jr. Forum for hosting this incredible panel of journalists, professors, and editors for such an interesting discussion on Egypt’s path to democracy. If you would like to watch the forum, please go to: http://www.iop.harvard.edu/Multimedia-Center/All-Videos/Egypt-From-Tahrir-Square-to-Today/(format)/real

“Where Are They Now?”

February 6th, 2012 by Open Hands Team

The Open Hands Initiative would like to introduce our new blog series, “Where Are They Now?” Over the next several weeks, we will update our readers on the lives and careers of our fellows from the “Covering a Revolution” Reporting Fellowship in Cairo, as well as the participants of our Youth Ability Summit in Syria.

The following entry is the first of this new series, which highlights Matt Negrin, a top, young journalist from the United States. Here is what he had to say about his experience in Cairo as a Reporting Fellow:

No Press Releases Here: A Washington Reporter Tries Real Journalism

Written by: Matt Negrin

Most of my time during the fellowship in Egypt was spent reporting on Coptic Christians, but on one night, I collided with my world from home, as I found myself interviewing the new American ambassador. Being a Washington reporter, I’m used to the standard political stories — the spin, the power struggles, the tight-lipped officials. It was a big reason why I sought the fellowship, to branch out and write about something completely different and foreign to me.

On that night, though, I sat across from Ambassador Anne Patterson and asked her why she hadn’t yet met with the Muslim Brotherhood, the bloc poised to win a powerful number of parliamentary seats in the upcoming election. I was confident because I had been covering the administration for two years and knew the fears in Congress about the Brotherhood, but I was even more confident because I was doing the interview with another fellow, an Egyptian. Together we were able to come at Patterson from both sides of her world, with our own unique expertise, leaving nothing untouched.

That, I imagine, was what the creators of the fellowship had in mind: reporters from two cultures working hand in hand to produce a result that you wouldn’t be able to get any other way. After just a few days in Cairo, and certainly by the end of the fellowship, I had changed the way I thought about journalism. Western journalism stresses objectivity and being a neutral observer; in Egypt, the rulers censor the press, and the journalists are fighting back. There’s no reason to stay on the sidelines. They deserve the right to print.

Returning to Washington was a bit of a bummer. Everything about politics felt hollow after spending a week in Coptic churches burned in sectarian violence, and in poor villages in which children live in fear of being attacked. Every day I read stories from Egypt, and every day I wish I were still there to see and hear the ripples of a revolution play out in everyday life. I see the bylines of my new Egyptian friends, and I want to hug them and tell them that they’re doing the noblest act of journalism anyone could do, and to be safe.

For years I had yearned to try my hand at foreign reporting, and I viewed the fellowship as a litmus test to determine whether I could do it confidently. What I found was that I was more passionate about the work I produced in those 10 days than anything else I’ve done.

But while I promised myself (and many others) that I would return as well as report from other places around the world, there’s an election in the United States for which I want to stick around. I’m a reporter with ABC News now, writing about all things politics — campaigns, money, transparency, the tea party, and a lot in between. It’ll all collide in November, and even though I’ll have my hands full on election night, I guarantee that I’ll be thinking back to my time in Egypt, where I learned what really matters in journalism, and where a part of me will always be.

“U.S. Ambassador to Egypt Anne Patterson (C) is interviewed by GlobalPost / Open Hands Initiative ‘Covering a Revolution’ reporting fellows Matt Negrin (L) and Reem Abdellatif (R), October 2011. (Elizabeth D. Herman/GlobalPost)” From: http://www.globalpost.com/dispatch/news/regions/middle-east/egypt/111018/cairo-journalists-find-strong-allies

“Egypt’s Unfinished Revolution,” a Tufts Forum with the Open Hands Initiative

January 30th, 2012 by Open Hands Team

The Open Hands Initiative is proud to announce our participation in an upcoming forum at Tufts University’s Institute for Global Leadership. This forum will discuss Egypt’s ongoing revolution, with a focus on Global Post and Open Hands Initiative’s exchange project that brought 7 American and 8 Egyptian top, young, journalists together for the “Covering a Revolution” Reporting Fellowship held in Cairo in October of 2011.

During the fellowship, the journalists participated in a three-day seminar led by Egyptian and American expert panelists, and later conducted five days of field reporting. Five “beats,” meant to build awareness and understanding of the Egyptian Revolution, were covered by the Reporting Fellows:  Arts and Culture, Economy and Tourism, Human Rights and Justice, Politics and Governance, and Religion and Minorities.

Since the conclusion of the program, the reporting fellows work has been showcased by a 25-part Special Report on Global Post. The collaborative series has been viewed by more than 2 million visitors from across the globe.

For more information on the Reporting Fellowship please see the Open Hands Initiative page on Media and Democracy in Transition

The Tufts’ Forum panel will include three of the reporting fellows ; Global Post’s Executive Editor, Charles Sennot; the founder of Open Hands Initiative, Jay T. Snyder; and photojournalist Gary Knight.

The forum, “Egypt’s Unfinished Revolution: From Tahrir Square to the Ballot Box,” will be held on Wednesday, February 1st, 2012 at 4:30 pm and is open to the public.

Open Hands Founder Jay Snyder Addresses the ‘Covering a Revolution’ Fellowship

October 20th, 2011 by Open Hands Team

The following portion of the transcript of remarks by the Chairman and Founder Jay Snyder were originally published on GlobalPost.

CAIRO — Thank you, Charlie. On behalf of the Open Hands Initiative I’d like to welcome and thank you for joining us this evening. I am deeply humbled to be here in Cairo with such a distinguished group of journalists, academics, activists and representatives of the governments from the United States and Egypt.

I’d like to welcome Lyse Doucet of the BBC and Ambassador Patterson; I am especially grateful for your presence here tonight.

I’d like to thank GlobalPost for sharing our passion for creating genuine dialogue between people of different cultures. The GlobalPost team has been essential to making our work here in Egypt possible.

Under the leadership of Charlie Sennott and Gary Knight, we have created a unique fellowship of young American and Egyptian journalists.

I have high hopes that this cooperation will be the beginning of enduring friendships….

Read more at GlobalPost.

An American Music Producer in Syria, Part 4: East Meets West

August 30th, 2011 by Open Hands Team

This guest blog post is the last of a four-part series written by Open Hands partner and music producer, Brian Unger. Read Part 1, Part 2 and Part 3 or learn more about the 2010 Syrian Music Exchange.

My last session for the day was Maias Alyamani and his quintet MAqam. The players are Maias Alyamani and Maria Arnaout on violin, Osama Tesinni playing cello, Basem Aljaber on double bass and Georg Oro playing percussion.

MAqam on stage

As one might imagine from the instrumentation, this session would undoubtedly lend itself to some comparisons to western classical music. In fact, Maias is known for his East meets West philosophy in adapting traditional pieces for modern interpretation and audiences. Again I would be somewhat limited in my abilities to capture this group the way I would normally like to, but I made the best of the situation. The Rhode stereo mike would capture the overall left right perspective and percussion while emphasizing the two violins up front. The double bass and cello would get individual close mikes giving me good control there.

MAqam on stage

Strains of gypsy melodies marked the first composition entitled “Seawaves”. These break into an allegro section of very dramatic Beethoven-esque pulsed strings. The second piece entitled Longa Nahawand, is another gypsy melody laced example of this genre. Here the word Nahawand refers to another of the previously discussed Arabic Maqamat (scales).

So ends day one of recordings in Damascus, Syria.

To hear the music produced during the exchange, please visit our YouTube channel.

An American Music Producer in Syria, Part 3: Exploring Arabic Melodies

June 2nd, 2011 by Open Hands Team

The below guest blog post is authored by Brian Unger, an American musician and music producer who led the 2010 Music Exchange Program in Damascus, Syria.  This is the third of a series of posts by Mr. Unger that explores his experience in Syria. You may also read Part 1 and Part 2.

Continuing my first day of recording in Damascus, after lunch I had the pleasure of recording the quartet Twais, led by the well-known Syrian oud player and composer Essam Rafea. In addition to Essam, the instrumentation consisted of: Firas Charestan on qanun, Salah Namek playing cello and Badi Rafea on percussion.

Twais Album Cover

Twais Album Cover

This was my first experience recording a qanun an Arabic instrument similar to a zither or to my ears somewhat like a hammered dulcimer. It has a complex system of levers that enable Arabic scales known as maqam to be played. This non-even tempered division of the scale containing some ¼ tones is the most distinctive characteristic of Arabic music and sometimes the hardest for the western ear to comprehend. To watch qanun players manipulate the levers while maintaining the flow of the melodies within the pieces is impressive to say the least.

Qanun

Playing the qanun

This was also my first experience with the oud, an instrument that hails from the same ancestral lines as the lute. It differs in that it is a fret-less instrument and therefore capable of the more subtle variances in pitch of the aforementioned maqam. Ouds are generally an eleven stringed instrument with the strings grouped in pairs with a final single 11th string in the lowest register.

Essam Rafea on Oud

Essam Rafea on oud

This session, consistent with the instrumentation, focused on more traditional sounding Arabic melodies and overall style of playing. I emphasize the word melody as traditionally harmony plays little or no role in Arabic music. The first piece entitled Al Jamal (The Beautiful) opens with a haunting melody line over a pulsed pedal tone bass. There is an extended mid section in which the oud and qanun have nice room to improvise and a reprise of the intro melody at the end of the song. I was particularly pleased that I was able to capture the instruments so well with this minimal supply of microphones I had brought. This is a compliment to the players, whose mastery of dynamics and control did most of my work for me.

Twais on Stage

Twais on Stage

The second piece was entitled Wamda. This is the Arabic word for “spark”.  As the name suggests, this piece begins almost mysteriously, ribatto, with the cello sustaining low somber tones and the oud and qanun adding sparse plucked textures. Then at a very slow pace, a beat appears on percussion, and gradually crescendos until the main melodic theme presents itself more than halfway through the piece. The tempo is now allegro almost a dance. A nice cello solo fills the gap before the final recapitulation into the coda. Just a great experience working with true consummate professionals.

For more information about the 2010 Music Exchange, along with our other programs, please visit our YouTube channel.

The Silver Scorpion

May 24th, 2011 by Open Hands Team

On Free Comic Book Day 2011, the Open Hands Initiative introduced the world to the Silver Scorpion, the first edition of the new comic book series developed by American and Syrian youth disability advocates who participated in the 2010 Youth Ability Summit.

The “Silver Scorpion” is more than a superhero; it represents a new phase of US-Arab and Muslim public diplomacy efforts, and serves as a cross-cultural hero for the world that promotes tolerance, inclusion and equality.

Read the Silver Scorpion below, learn more about it, or watch how the comic book was created. A larger, magazine-sized collector version of the first issue is also available for order via HP’s Magcloud print on demand service.

Silver Scorpion

An American Music Producer in Syria, Part 2: The Jazz Bug Hits Damascus

March 7th, 2011 by Open Hands Team

The below guest blog post is authored by Brian Unger, an American musician and music producer who led the 2010 Music Exchange Program in Damascus, Syria. This is the second of a series of posts by Mr. Unger that explores his experience in Syria. Read Part 1 here.

Following my arrival, days two through four in Syria were comprised of historical tours, acclimation to the area, and a day of press conferences and opening ceremonies for the Youth Ability Summit. Monday would be the first actual recording session. We had graciously been granted the use of the Duma concert hall by the ECHO organization, one of Open Hands Initiative’s partners.

Damascus from above

Damascus from above

First up was Fattet Laabet– a contemporary jazz quintet using conventional instruments with the addition of Arabic percussion. They are fronted by trumpet player Nezar Omran, with Nareg Abajian on electric piano; Khaled Omran, electric bass; Danny Shukri, drum kit; and Firas Hassan, percussion. Their first tune entitled “Nai” opens with a head (jazz jargon for the main thematic melody) somewhat reminiscent of a Chuck Mangione or Gato Barbieri. Its moderate tempo and easygoing feel could easily place it on any of the contemporary jazz playlists of today.

Fattet Laabet

Fattet Laabet on stage

The second tune, entitled Balla Harwasha, is an up-tempo track with a head in two meters: one of 9/8 and two of 6/8 sequentially. This rhythmic sequence alone really speaks to the Middle Eastern musical influences these musicians were born into. There is a middle break down that allows the soloists to stretch their chops a little with a really nice bass solo by Khaled. I managed to capture a nice live feel for this ensemble with our Edirol 4 track digital field recorder, a Rane stereo microphone and two pencil condensers.

Music Exchange

In the editing booth

Check back again soon for more about the talented Syrian musicians who participated in the 2010 Music Exchange, or head to the Open Hands Initiative YouTube Channel to hear the musicians in action.

Launching a Superhero in Damascus

February 28th, 2011 by Open Hands Team

The following guest post is written by Dr. Valerie Karr, one of the experts who helped lead the Youth Ability Summit that took place in August 2010 in Damascus, Syria.

Silver Scorpion First Edition in Arabic

The cover of the Silver Scorpion First Edition in Arabic

Returning to Damascus this February for the launch of the Silver Scorpion comic book, I felt like I was coming home to close friends. Having been welcomed with open arms by the Syrian people in August during the Youth Ability Summit, I could not wait to return to the warm embrace of this vibrant culture. Not only was I overwhelmed by the 1,000 families and distinguished guests who came to witness the unveiling of the comic, I was also eager to reunite with our Summit participants and present them with their first look at the comic they helped create.

After visiting both AAMAL Organization for the Disabled and the Light and Flowers Organization for Cerebral Palsy in August, I was excited to see the Al Safina program in the Old City. Three of our young disability advocates came from the Center and continued to work there daily.

Walking in, I was greeted by the Center’s Director and overwhelmed by the beauty of the house. Having purchased the ancient open air home more than 15 years ago before the Old City and Souk were revived, the Al Safina Center had clearly made a solid investment. We toured the Center’s workshop where they specialize in making recycled paper. The Al Safina participants were proud to show us the beautiful paper they produce that is sold as stationary, art prints, and even for wedding invitations.

Courtyard of Al Safina

The courtyard at Al Safina

Since awareness about the potential of those with disabilities has been raised in the local media through our Youth Ability Summit last year, the Al Safina Center told us they had seen an increase in families seeking services and independence for their children. In fact, the Al Safina Center, which is financed by private donations, is looking to open an additional Center outside of Damascus where services for the disabled are limited.

I was touched by the inherent value the Center’s employees see in their participants. In most societies, it is difficult for every day citizens to find value in those with intellectual disabilities, but Al Safina prides itself on promoting warmth in a family-like setting while promoting the self-esteem and independence of their participants. I was honored to see the pride that our young advocates had in their work.

The Arabic invitation to the launch of the Silver Scorpion Comic Launch in Damascus

The next day, I was reunited with our Syrian Youth Ability Summit participants at AAMAL’s Center. Today was THE DAY. We were launching the Silver Scorpion to the Arabic public and I wanted to hear from our participants. The AAMAL Center was packed with participants and their families. I could see mothers and fathers, sisters and brothers all there to support these young advocates, and despite our language barriers we managed to convey our joy at seeing each other again through warm hugs. Many of the advocates were eager to know about their American peers and I was delighted to show them video greetings from our American participants. As I watched the videos I was struck by the similarities between our participants. These advocates were going to change the world together.

When the time came, we traveled together to the Opera House to meet Kosai Khouli, the famous Syrian actor who narrated the Silver Scorpion animated movie that was being premiered at the launch. It was wonderful to see the young advocates meet such a prominent star who recognized their dignity and who was willing to lend his voice to promoting equality for all members of society.

Actor Kosai Khouli and Youth Ability Summit Participants Abdel Rahman and Hiba

Actor Kosai Khouli with Youth Ability Summit participants before the screening

As we entered the Opera House theater I could see that it was filled to capacity with families, children and supporters. One of our participants, Walaa, from Light and Flowers proudly and courageously spoke of her accomplishments, and I beamed with pride in the wings as the house applauded her. What was most important to see was that Walaa could- and did- succeed when provided the opportunity to do so.

Inside the Dar al-Assad Theatre

Looking down to the stage of the Dar Al-Assad Opera's theater

As the house lights dimmed and the screening of Silver Scorpion began the audience was completely enthralled. As people watched the screen, I watched their faces and saw the emotions our story of disability elicited. It’s an amazingly simple idea to convey–that those with disabilities should be allowed the same rights and opportunities of others. I believe that using this medium of storytelling directed by the next generation of disability advocates was, and is, the key to changing perceptions.

Walaa speaks on stage at the launch event

Walaa speaks on stage at the launch event

The first chapter of the Silver Scorpion showed us the transformation of disability from grief to empowerment in a cool superhero way. I am so excited for kids to pore over the pages of our comic and future editions and finally admire a character for their abilities. I am equally proud that America and Syria can show such a positive, creative result of their collaboration. Like a comic book superhero, it makes us imagine a better world that is within our grasp.